But last night, my friend showed us a play that seemed, to me, unlike any play of hers I'd ever read. Structurally, plot-wise -- it was a departure. And yet. It was absolutely still hers. In fact, it was maybe more "her" than anything of hers I've read. Maybe that's a presumptuous statement. But. It may have eased my mind about the voice question. Because, if anything, as she gets further from what I always thought of as "her kind of play," I hear her even more clearly in her own work -- her concerns, her sense of humor, her worldview.
So that was cool.
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